OCR Text |
Show THE PARSON Vol. 9 No- - Salt Lake City, Utah. November 30, 1962 5 - Editor-in-Chi- et Managing Editor Business Manager News Editor Feature Editor Sports Editors - Managerial Staff .... Photographers November The PARSON Page 2 Denne Kathy Schwertz Dick Homrighouse pnny Goldsworthy Durfee Rod Grunwald, Allan Burkhalter ....Janet FitzPatrick, Sue Loomer Stan Clark, Bill Cook, Ray Leonard Contributors: Keith McCarty, Judy Hughes, Fred Pinkerton, Jim Morris, Ellen Hamilton , Carol James, Sharon Pratt. James Leap, EDITORIAL The Editorial in the last issue of the PARSON dealt with the school budget and the lack of consideration on the part of the administration. After considerable investigation, it appears that there is an even graver problem confronting the college. This problem is the core of the two previously discussed problems, especially that of consideration. The problem is that of communication and it covers three major areas. Each area will be discussed individually. First is the communication problem between administration and students. There is a gross misunderstanding between students and administration as to the willingness of the administration to work and. cooperate with the students. It will be up to the students to make a concerted effort to help alleviate this problem by using a little common sense in their dealings with the administration, instead of being so adamant about the administration before they even get started. Second is the poor communication between the administration and the faculty. In this case there needs to be some of attitudes on the part of both parties before any ground can be gained. Third is the most disturbing of all three because it is a communication difficulty between the administrators themselves. It is even more distressing that the problem is not recognized by the members of the administration. s All of the above problems are hard to prove by giving specific situations as evidence that what is said is true. The only evidence that can be given is personal observation and personal evaluation derived from the observations. Other members of the studentbody and members of the faculty recognize the problem; as viewed here, others do not. Regardless of how the problem the campus faces is viewed by all, it must be admitted that something must be done soon or the situation will continue to become worse rather than better. This editorial has given one view of the problem at hand and what the solution should be in regards to tlje problem as stated. It is now up to all of us to do something about it. KEN DENNE, Editor Letters To The Editor Letter to the Parson: found many things that I like about Westminster, and Ive tried to show my enthusiasm in the past by making my remarks as constructive as possible, both in this pa,.vr and with those with whom I converse. I may slip this time in attempting to follow that pattern. But I think perhaps I can put into words some- Ive thing thats bothered many of The intermediate Among the administration there are a couple of holdouts that the students have been time. putting up with for some hold-out- s I use the words because of the fact that they havent changed much from the way they were when they first came here. This change has many times been requested. They are still very tactless and intolerant . . . more so than they should be. But when faced with these two undesirable characteristics it teaches many of us students the virtue of tolerance and tact. For this, maybe we should be thankful. Needless to say we all need these qualities. But also, it is equally obvious that some people lack them. It would help if theyd let some of these finer characteristics rub off on their associates in the administration; those associates who, incidentally, are highly respected by most of the college community. Some may be saying now, Why open old wounds? But they arent just old wounds. Besides that, with regards to this subject, any change would be for the better. If someone made it clear to me several times that an effort to change would be appreciated, Id probably try it! Its fine to be able to roll with the punches, but Im tired of low punches and then rolling over and playing dead! Dear Editor: There seems to be such widespread ignorance of memorandum No. DP A 10999 (the latest and final directive in the Display of Public Affection series), that I hope you can help the cause by printing DPA No. 10999 in full. It follows: i (believe At the Presidents Round Table Thursday, November 8, Dr. Duddy brought up the problem of an attitude that is so prevalent on many college campuses today. This is the idea that a student must be subsidized before he will do anything for the school. This attitude seems to have leaked over from the athletic department into other areas such as dramatics, music, etc. Many students want t o know just how much they will be paid by way of a grant or other compensation before they will play football, act in a play, or play in the orchestra. This feeling acts to defeat the whole purpose of these activities. They are intended for those students who have a genuine interest and feel they can make a contribution as well as gain experience for themselves. It is evident that this purpose will not be accomplished if students are participating' for what the school wall give them for their services. To be sure this attitude is not held by all those concerned, but it is an increasing problem. If it does continule what will become of the activities in these departments? own-Spani- sh home of Dr. Myra Yancey on tne evening of November 10 The students prepared Paella one of the national dishes of Spain. The recipe for this dish was provided by Dr Yancey. RECIPE cup onion, 1 clove garlic, Saute onions and garlic in cup olive, oil. Add 2 cups dry white rice, Cook in fat for five minutes! Add 5 cups chicken broth, anl 2 tbs. chipped parsley. Salt to season cooked chicken. Add a pinch of saffon (dry stems of crocus flower which seasons rice and. turns the rice yellow). Cook rice 20 minutes in the Sincerely vours, David L. Robinson Buddy To Speak Dr. Frank E. Buddy, Jr. will speak in a panel discussion on the effectiveness (or ineffectiveness) of institutions of higher learning at the Unitarian Church,. Sunday, December 2 at 8 p.m. Representing the small college, Dr. Duddy plans on broth. stressing the contributions of the small college. Other participants will be Paul Hodson, a member of the University of Utah administration, and Kenneth Eble, a faculty member at the University. Add cooked chicken and green peas. On top of dish slice hard . boiled eggs and red pimentos. Artichoke hearts may also be added. Before serving squeeze lemon over it Be careful, dont eat Voca lists Perform On Friday, November 16, 14 voice students under the supervision of Mrs. Elizabeth Simpson, performed in the Robinson Room. The group included .students from Mrs. Simpsons town studio, and students from the Westminster campus. Those Westminster students who performed were: Sharon Smith, Judy Nilsson, Diana Sepal, Chris Angelos, and Gretchen Springer. The vocalists were accom- panied by an instrumental trio under the direction r.f Mr. Kenneth G. Kuchler. The trio included: Kathleen violin; Judith Donald- f, son, cello, and Diana Sepal, piano. four to five servings! Some of the Spanish girls did and they did 103 get GLOTONES! indigestion Spanish caramel custard and other goodies were served. heT unfortunate thing about such a good dish the more you eat the better it tastes! NOTE: Spanish food is not like Mexican food there is no pepper! .. Spanish music, good conversation and dishwashing ended the evening. Dr. Yancey commented that - if any of these students should be fortunate enough to visit Spain they will know what Paella is and how much to eat. QUESTION: Why not serve Paella at Mardi Gras? Heres Humanities by Judy Hughes KABUKI Katsumaru Kineya, Katsu-yoshirKineya, Umetaro Shusei Tosha, Koshu Tosha, Shozaburo Wakayma, Tomisaburo Wakayama, and Tatsuichiro Mochizuki, better known as the Azuma Kabuki Musicians, is the first troupe of its kind to ever visit America from Japan. Kabuki, as most music lovers know, is an art form of dance based cn accumulated and crystalized traditions of centuries of Japanese theatre. The background music or sounds are as intricate and precise as the dance. 'The major instrument of Kabuki is the drum (kozutsunu). The small hand drum (ozut-sumi- ) and the large hand drum (okaidao) are both held on the left shoulder while being played. When played together they are used primarily for happy endings and scenes of violence, particularly of fighting. The appearance of a ghost or bad guy on the Kabuki stage is the cue for the big drum. Due to its special tone characteristics it is quite an appropriate instillment for such murderous events. It is also used lor the effect of wind or waves. o Gripers Anonymous Spanish supper at the Dont. Frie-hau- Cuisine class held a cook your of us for the past couple years. Respectfully it or not) Jim Morris Cosmopolitan 30, 1902 o, Of next importance are the metal percussion instruments. These are played to represent a given atmosphere. Examples would be . . . suggesting a festive or gay occasion and the passage of time. Flutes immi-- tate the sound of birds and carry the major melodies. such instrument, the is quite effectual in One this case. The entire orchestra is seated on the stage and narrates and comments, but primarily describes the emotional atmosphere of the Kabuki characters. is perhaps interesting to of analyze the various themes or It Kabuki theatre. Sambaso, the (offering to the Gods) is a dance to rid the earth of impurity, such as making the way for a good harvest. Dojo; ji, (dancing girl of the Dojoji a temple) holds the theme of most lovely and charming girl in love with a young priest of the temple. Another theme is one in which a monstercus to spider invades the landthen is web things up and killed by the brave warrior . . Raiko Manamotcf. There are also dances of unrequited love,at water images, and love first sight. When the Kabuki Hour has finished its Sayonara, the orientals do not forget the whole show entirely as perhaps wot do for a fleeting five hours entrancing moves and boom mg stereo. Music and dance to the Orientals is just not ot merely a combination include sounds and effect but the wisdom of the heart an the essence and balance of the universe. |