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Show KM CLEtK JKTILLUTIO I M(;. mm inc. fe There are numbers of superb Off oiccs amonB tue songvters of both jgy sexes in our community. They B4 '"ate charming melodv, but, as a m "' to which there are fer exceiw Zk ti0n" ,hey havo a '''"It common to 4 non-profewionab-a failure toclear- i ' and JitncUy articulate words lfc ??.? enaWe tulr auditors to 1 Cltch taem without straining. I i. most instances the listener finds it fi mpible, even at short range, to 7 'fnorethananoccasionalwordof C f,600- Tu's only makes the situa- !S Uon more unsatisfactory thau If ue of U was understood, because i InthemenUl eflort t9 fill up Uie' intervening spaces the charm of the mu,,c is jartiaUy lost to U.e t, 31 listener. I The trainers or professional vocal- IUareawareorthe Imjwrtance of clear-cut articulation, and conn-loentlijmt conn-loentlijmt their pupils through a 2cia! regia for , attaImnent Tho. 0f our reaJers wh(j ljw haj i?.r " f hrarinS Adeilna j I atti can recall Uiat distinetness of ulteraDceBavaH!CU,iarcharm to Urn performanci-s of that Inimitable lueenof song. Had Uiis not oeen a feature or her singing, e doubt irshecoukJ ever have atUIued to great an eminence In herprofe. slou as she has reached. g J articuUtion L, we believe. n a d t thB rfnger wen f ""-''"""a to his auditors. To at- la,n It he must clearly sene the 1 1-urnortiif the words, aUd he fathu. assi-ted in h's eflbrts to express Uie IS, wnt"-nt emboiied. Earnestness I and oui are eential elements in I" lir are In ora-ory. V. i tfaoat theecou.tituenU IheefTect Uvely11""0111' - fma,rk81I,Ij: W,th PW ;,Jree to "" s'nging of sacred song, I" worshipping assemblle.. The i Twumc Is an essenUal parlor He worship In which the conega- Uon should join either actual y mentally flown); " fneageinlt.thu. acconT.JV " wnUment expressed ir ii r5rfcHS |