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Show 7 THE BEE acquaintance with the let classic music gives her an inexhaustible fund from which to draw for material to advance her pupils in the highest direction. Mrs. Whit ney, Miss Derron, Miss Duyer and others are among the publics favorites of her pupils." MISS OKATIA Fl.ANDKKS. Miss Gratia Flanders needs no 'piano playing. The aim has been (pretense , enforcing a classical style in pure piano music. She occupies the chair of instrumental music in the facult of Rowland Hall for the current year. Miss Flanders has studied theory with Frederic Grant Gleason and Adolph Wiedig. Miss Gratia Flanders, to attain this in the most practical !a pupil of Herr Kmil Lidding of manner, by giving recitals every Chicago, from which city she fortnight during the teaching came to Utah about four years seaou. That they have attained since. I Ier facility at the piano a very high standing in the art is, amounts to virtuosity. Her touch evidenced by the public concerts and tccniquc are splendidly clear, given from time to time. From a Her interpretation is faultless, and membership of six this club has yet, with all this ability to shine averaged from forty to fifty active like Rive King upon the concert members during the past two stage, the sign manual of her years, and the studio recitals, motive is a mischievous pupil which were at first strictly private, cantering into her studio to be have been thrown open to parents dragooned into the mysteries of and friends, until Miss Flanders' Czerny or Clemente. She bends studio will no longer accommodate her artistic eye upon groping the audiences, and the coming fingers as a gamey cat upon a fort . season regular programmes will doomed moie, and ten fingers be given in the club room of the multiplied by one hundred would Ladies' Literary Society, where not equal the 1. umber of students j ( i 0 ; j introduction to the Salt latke public. She is about to enter upon her eighth year of work in S.Jt Lake City, having come here Muring the summer of )i. lredi from years of study under the celebrated master, Kmil Liebling of Chicago, and highly endorsed by him as a teacher of pin o i.i s that city. It was not without of the greatest reluctance that Miss Inlanders, after the most urgent requests of friends, backed up by the advice of her phv-- : sicians, on account of health considerations, decided to leave her work there, wr.ich prom Led so much, and the encouraging success which she had obtained, to come here. Starting out with a small class of young pupils, this class has been steadily increasing in numbers, and for the past two years has numbered over fifty regular pupils. Since her advent here she has been an important factor in the musical life of Salt Lake City, and by her frequent public recitals has done much towards creating a universal taste for, and appreciation of, classical music. Miss Flanders success is preeminently in the field of teaching, for which she is peculiarly qualified and gifted. Her strong perPhotograph by Rordame. sonality and magnetism reacts on MISS ORATIA FLANDERS. her pupils and inspires even the least promising among them with each pupil will be allowed to she has advanced into the rank of some of her own love and enthusias many friends as desired. good performers, since failing asm for music. Much of her suc- bring In September, 1894, Miss Inlan- health drove her to this inland cess can also be traced to her firm belief in the necessity of making ders was placed in charge of the seaboard. She has the happy gift ones reputation anew every year, piano department of Rowland of inspiring her pupils with esprit and not taking it for granted that Hall, which position she con- du corps. She devises associations a success in 1898 necessarilv in- tinues to occup) . The following in which for them to meet and article appeared in the Salt Lake play before each other and her cludes that of 1899. On the afternoon of March 21, Tribune soon after her first public critical self. She dees not permit recital given in the school: them, without the best of excuses, 1892, about six young ladies, We have a musical expert to decline a performance when pupils of Miss Flanders, met in the studio and organized a club to among us whom we are now asked, and her success has been be known as the Flanders Amat- rapidly learning to love and rever- so marked that her classes are too full for the hours of her day, eurs, the object of which is mutual ence, because of her excellence benefit and growth in the art of so far beyond the flimsiness of and she has become a factor in nton federen, PIANO, VIOLIN, HARrtONY . . . V ' i j stuoio: (oiiiers lus'c pjoce. W. FIRST SOUTH ST. 45-4- 7 ! ' led-ing- . J. Qoyne. CJ05. ' TABERNACLE ORGANIST. j loner om voicer oi me Piano, P.o&sio.iGi TEACHER OF IMAM) AM) OROAN. OrriCC AMD STUDIO WITH TClfPMONC 0AYNE8 4 COULTER, 74 Main ST Salt Lake City. Oron 499. ratt, PIANO AND HARMONY. STUDIO. 223 Sixth East Street. prof. F. iSaett, . INSTRUCTOR V0C.Il PIIN0 CULTURE, IN AND SIGHT For further Information mot boils employed, call at Studio. RIDDING. about special 68 S. West Temple, Salt Lake City. TERMS, STRICTLY ADVANCE. manda oSiWenon IVJadame GRADUATE IN STOCKHOLM CONSERVATORY, Only Vocal Teacher In Salt Lake Using rinrrmc Method. STUDIO OVER CALDLR'S, 47 W. FIRST SOUTH. hours: 10 A. M. TO 5 P. Gratia plander, TEACHER IV OF PIANO . . STUDIO -- 104 5 BRIGHAM. Geo. Garele, PROFESSOR OF MUSI6. STUDIO: 620 . SOUTH SEVENTH EAST, SALT LAKE CITY. to). ocletiIer, Studio: 22 MAIN STREET. Teocuer 1Vi,S- - 01 Guiitr, lanuoim ffie 13 ean 0011 Booio. fnappen, VOICE BUILDER. STUDIO. 36 NORTH STATE ST. M. |