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Show 4 The Daily L'tah Chronicle. Thursday, May 27, 1976 Page Four The Daily Utah Chronicle Editor-in-chie- Rex Nutting f Frank Piatt Business Manager The opinions expressed on trie netessar n represent the vs editorial pages o tre Daily Utah Chronicle 00 not ot trse Stoaentboey or toe Onners t aommistra' on rtter rd spring quarters, 1mt Publishes Gail r Curing ta fcly aorng summer not irtcluOng test week or quarter creaks' by Puotications CtHwcil ot the ot titan On.vers-tSuo scripttons. S!2 a year (nclocmg summer quarter). IS an academic Quarter All suo smpt.ons must be prepaid Two weeks notice tor crianoe 04 address Forward art rorreponoence to Sibscnotxm fcnac?er. Daily U' Chronicle, union Huitamtj Urtiwervty ot Utah. Salt LrtfCitr. UT 4II2 aaater , SALT LAKE ART CENTER SCHOOL 54 Finch Lane (Reservoir Park) South Temple and University Street Summer Quarter June7-Jul10. 1976 Registration June 2nd. 3rd. 4th. and 5th y 12 Noon-5P- Phone M 328-276- Rolling Thunder Revue: overwhelming by JEFF HOWRY Chronicle staff Bob Dylan's Rolling Thunder Revue descended Salt Lake Tuesday and, minstrel show or a traveling three-rin- g circus, it included a little bit of everything. Exceptionally high quality music, a couple of nostalgia-inspirin- g '60s music heroes, an aging poet of the Beat like in an Its members ranged from Mick Ronson, who played, beat and whipped around his guitar cum phallic symbol just as savagely as in his davs as" a David Bowie sidekick, to Allen Ginsberg, who read poetry, played finger cymbals and just looked goofy dressed in a sedate black tuxedo. Despite their diversity, however, all the members of the Revue were bonded by a common denominator of talent. Everybody in the show was "There's a thing v& 0 that happens to l me when I'm in 4 jlf : the wilderness. learn about the beauty around me and learn about myself... and in learning, there is no bad damn good. That became immediately apparent as the assembled Revue (minus the big stars: Dylan, Baez, etc.) opened the evening with a rousing set in which most of the individuals did a solo spot. As Neuwirth drawled out introductions from under the rim of his cowboy hat, each member stepped centerstage to display his particular talents. While each number was I Bob ten-gallo- p I p S adventure." T-Bo- I f I f 1 0 L ATimberline School V of Rock Climbing and Mountaineering 3155 Highland Drive HriD fl GOOD n excellent, the standouts included Burnett's : I I Pro $cv7?fSi generation, and a living legend were all part of the overwhelming jj Rife. dd-tim- e It was a very special night. The Revue was a strange - j p i bill. 2 Art lor Youth Basic Drawing & Painting Calligraphy Cer em ics Five Day Ceramic Workshop Drawing - Basic thru Advanced Drawing & Painting lor Youth Jewelry Lite Drawmg Basic thru advanced Painting Pastel Painting & Portrait Figure Painting Watercoior Photography Classes Basic Photography Basic Darkroom Photography Photographic Screen Printing Photographic workshop in July Daytime A Evening Classes H is cm conglomeration. j pM CUT LrlTGLV? jumping version of "Linda Ix)U," Ronson's eerie sci-f- i "Is There Life on Mars?" and a blistering rendition of "The Battle of New Orleans" sung by Neuwirth and featuring the dynamic dueling fiddles of Scarlet Rivera and Dave Mansfield. One of the nicest little surprises of the evening appeared next. Bounding onstage dressed to kill (or at least do some permanent damage) in matching glitter jacket, scarf, cowboy hat, and floor length boa, came ole Texas jewboy" Kinky Friedman. Kinky proved that his name as he was rattled through such songs as "They Don't Make Jews Like Jesus Anymore" and his answer to Merle Haggard's "Okie From that "good well-deserve- d Mote TREND AT TROLLEY The SQUARE latest in cuts Wedge Geometric Sculpture BLOW COMBING CURLING IRON STYLING n figure appeared at Holding cen-terstag- e. his acoustic guitar high aloft, he strummed a couple of bars but received no crowd reaction. It was only when the lines, "Hey, Mr. Tambourine Man, play a song for me. . ." boomed out across the auditorium in that familiar, gravelly voice that the crowd realized it was Dylan. He played another sslo and then, with portions of the Revue, five more numbers, bouncy, PRODUCTS a and Farm." rocking "Maggie's Then, almost as quickly as he had appeared, he was gone as the curtain lowered for intermission. The second half of the show started off with the venerable Roger McGuinn who featured one of his old Byrds' hits "Turn, Turn. Turn" and, perhaps the best thing he's ever written, "Chestnut Mare." Next up was Joan Baez, who with her black hair cropped very short and dressed in an orange outfit and hanging earrings, looked more like a cross between Cher and Sandy Duncan than the folk goddess of the last decade. While her appearance has changed, her voice has crystal, bell-lik- e remained intact. Even though her segment of the show was a little long it was especially bogged down by the lengthy "Sad-EyeLady of the Lowlands" she ended it in great fashion with "The Night They Drove Old Dixie the beautiful Down," "Diamonds and Rust," and, believe it or not, the old hit "Dancin in the Streets" she which during a frantic energetically did i know I did. It was a remember. I night Salt Lake Art Center CERAMICS WORKSHOP "Mozambique" d Date: June 11th Time: 9 a.m. Noon and 14 p.m. 7th-Jun- For individuals and artists experienced with. or. in teaching ceramics. The workshop covers: Handbuildmq. Glazes. Studio practices and techniques. Instruc tors: J. Milton Beens. Marilyn Levine. David Cox. Dennis Haberkorn. Tuition: $30.00 (including materials) Teacher Re certification available Limit: .r4 20 students For further information call the Salt lake Ait Center Finch Lane (40 University St.). Salt Lake City. 328-2762 MAY 27-2- 9 boogaloo. Kung Then it was Dylan again. Fu-style- d Baez, they strummed through "Blowin' in the Wind" and "Lily, Rosemary, and the Jack of Hearts." After their duets, the Revue reassembled and for the next hour, the whole group really cooked. fashion with In rapid-firno song introductions, they shot through some Dylan classics and lesser-knownumbers alike. Highlights included "Oh Sister," "Stuck Inside of Mobile With the Memphis Blues Again," "You're Gonna Joining e UNIVERSITY STORE ONLY 20 Mountain Equipment Frame Packs off n Make Me Lonesome When You Go," "Lay Lady Lay," From the Storm" on which Dylan played slide lead guitar. In fact, virtually all the numbers he played were rearranged or altered in some way. Some songs, like "Tangled Up in Blue," which was done up as a Highway 3Q8-Q53- 5 the changes. But most, like "I sis" which was transformed from a 34 ballad into a 44, absolutely funky toetapper, were enhanced. It was a great four hour show. Dylan's voice sounded better tlian ever and, even e reggae-lik- though lie only said a total of about ten words to the audience, his frisky stage manner and wholehearted performance seemed to indicate he had a good time. 61 type rocker, suffered from the including rearrangement of "Shelter REDKEN Appointment or walk-iMon. Thru Sat. Available 8 am till 7 pm Muskogee," "Assholes from El Paso." As Kinky and the Revue swiftly left the stage, the stage lights dimmed and suddenly, with no fanfare or introduction, a diminutive "Knockin On Heaven's Door," and a fantastic UNI PERMS' THE HrlMILL CUT r3" S22.50 Wilderness Experience Day Packs up to 50 Off Asst. 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