Show theatrical on Satu saturday iday light of last ap the salt lale lake theater ic opened for tile tho winter season with inith the di diama ania of marble t we e pecked something good and this urne im at t least c pec tation was wai not il ot disappointed appointed d is the piece v lie is a melo di drama aimi of the mildest type was ivas put y on the stage lit in a manlier not often d and indeed rarely equalled equal led lit in establishments of fir As wo 0 h hai e had gie gi citer iter pretensions m occasion to notice the lie machinery properties and all the appointments were in excellent taste an amt gotten up ill the aural scene in tile of in the ad let act was analla cent the acting of the several parts part was bett bettor than usual mr awin as phidias in ill the fust anil as raphael in in theother four act lid did I 1 v INCH ell lie ile isa is a fine reader has a loud smooth understands stagy business in all its ies parts and alli withal ithal NN is a gi giac elul and ana at times powerful dC delinda lillea tor ter of character cha lacter without ill s pala to all hi lendi tion of other characters character liis his raphael struel struck m 11 as tile the bc ct it part in which IN aich lie has yet appealed appeal cd of mis ills innas ins marco m acau 0 can say little that we ive hau ha e not alicade still slid save that she improves on acquaintance and exhibits her excellence as n a actress in such heavy parts part as evadne and muco M lico aswell AS well as in the ioles ides of lighter comedy iler her versatility N lity is it her or great charm and it 6 b rai c that an actress is found of such alive la excellence lelle that it is hard to say which is her forte high co conedy tragedy or farce the impassioned se ene in in the ath act of varble heart between tho the amazed and heart broken lover raphael and the cold calculating yet almost ic le lenting beauty maico could hardly have been bettein d by cither 3 mr 1 inin arnn in ose lose i to the highest and most passionate conception co ill of the author while mrs 1 I was even mom mole successful in hor part we may say however tint inconsequence in consequence of the dimness of th tile elight light ci thi leally fine fill points lit in mis erwins irwins acting achim I 1 are lot lost to the audience the of the the sparkle of the eye in lepai tee its drooping in ia sono allow wand antl its in anger can now HOW only be noted through a good glass were the lights 11 better all thi this sodd would tell immensely in her faor notwithstanding all we injo have said baid of IrN erwins irwins vins gen bial we decidedly object to his saluting malco maico as he does in ill the most impassioned sti ains and crying out 11 who 1 va 1 IN when hen tin author has n littan oh we incontinently look to sc see c a lun itin a way ox team rush across the stige and lid in ill vain kook for the gad true is a fast team butila is not gallant to try to stop her with mith 11 who 11 if lie he will a just leave the W out of his intonation and confine himself to the simple 1 letter 0 it will he bean an improvement the tableaux in the and ath acts were finely done and ivere a ajea feature turc in tile the performance we should fail to gin gi e c expression to a I 1 cry general sentiment fil did wo we neglect to notice and conini commend ond mrs illos ill os amie her m whole hole action in the ad act is hei e the file poor orphan comes unexpectedly upon tile the gay party in the IN wood was and dinini table unsophisticated and inho have noNer been 4 at ilia s stage t a cei t ani not by tin an amateur no less ex cx bollent was bhe in the at jid d act mr 11 v ft is AS I 1 cry good but the manner in which lie he in insisted 1 I sted on slashing sloshing shing mound the hie Stag ewas tei toi rifle tile the of ills hid appendages wonderfully and fearfully done lie ile throw threw ills his legs about in a manner of antoine ravel and lather mole suitable forthe for the battels lat latt teis els stylo style of playing how tile deuce delice I 1 lie le ill daiil it t we cant say but hij be led everybody to believe tint mt he be hid bad cit at least doity separate and distinct boink in each leg and ci c cay art one as supple as those afan of an col we emoiy moment to find him tied up in a callol sa ilois Is knot and bogging begging some of the gay baity to undo him editors wo we know sometimes dont have much impell back bone but pon his our ir souls IN we c never sw s div one before so nimble on oa his pins as IN was as mons do dc colac still 3 mr fr C lus anas neally neaily as nimble with his ton tongue b ile as he was etith his lers legs and rattled off his lively pait in first rate astle wo must however object to sculptor into sculpture tuie or turning the into the ait as both diogenes g and kolago insist insisted e d on 0 11 doing ill all through congh tile the piece it is not so set doull in the books and sounds badly besides mis bowling made a decided improvement on satu saturday night and if she 11 will ill continue to an abid old tile the set S monotone of didactic i ic citation it I 1 will ill ln make ike a ing hig ac actress A little less of theal the autistic and a mote moie n natuis will help the tiling thing amazingly as ill apparent simmons is it a buck my boy e lather like ills his style sometimes ile he hies hardy but hard trying wont make it a minor pait the abig b anjin 11 I 1 or the heaviest villain 1 when a chap arid to come fora forrest st or mckean buchanan N acting in 11 second fiddle orevell or even a thiis rate viI villa lIllI iiii bcd M apt to slip up mv DIV boy and so birther Si Sim almons sometimes cuts it wil lather ler fat wo have ono one little piece of advice for him which wont hurt burti hur ti bit dont let all your emphasis passion ragland rage and whit w not keep k cap pont pent up like new jersey bottled cid chilto 0 r to be expended on the last salable of the last wo would id of the last sentence en e but scatter it alonga along 1 boy aoto it ann at bably comes out ca philil all at once startling y body just like a cha champi cham tulla pJ boik at dinner time or sta stage c thunder heroine is pi placing aa ing Eill is all very good ill 1 its place but you cant compensate for tile the nv w alt of it in tile the ii light ailt place by putting italian it all at one ent cai no mattur matter how jolly it lirty be at that end still bt ills his and mons Veau dorc dore wele creditable tile the other of the play wele creditably oni but some of the will insist on oil deopp f their hsc and aspirating their Is to a 1 teril fic extent it good 1311 IM and 1 is q unpaid don onn MI in ili an actor when ulu 1111 a chap A conics comes on the stage quoting quatin an all old adage tells tile audience 3 ou oil gl gi 0 a ivinel iloie liell take an all hell li h ell it he until itoe 1 tile the author and it re on oil tile pi profane pio oralle fane inin minds ds of into once upon a time wo we IN went cut lc biati c assembly tic bielk roso robe all solemnly sam said the Atel libels 0 ot t tile the bouso f fa IVO rin 0 tile motion N vill ill say high wo we had bad haid li 1111 diroa to catch our bigalli icci tire sure enough artl ill tile bemben lid did say ay hith now this ll 11 lisiy ia y be I 1 boned in legi aitor but not m hi arti arbit it |